Mississippi Half-Step Uptown Toodeloo, Mexicali Blues, Big Railroad Blues, Black Throated Wind, Scarlet Begonias, Beat It On Down The Line, Tennessee Jed, Me And Bobby McGee, Sugaree, Jack Straw, It Must Have Been The Roses, El Paso, Loose Lucy, Money Money, China Cat Sunflower > I Know You Rider
Promised Land, Bertha > Greatest Story Ever Told, Ship Of Fools, Weather Report Suite > Wharf Rat, Big River, Peggy-O, Truckin' > Mind Left Body Jam > Not Fade Away > Goin' Down The Road Feeling Bad > One More Saturday Night
E: U.S. Blues
-- All disc changes are seamless
LineageDat -> Samplitude Professional v11.03 -> FLAC
May 21, 2016 Subject:
What she wants!!!
Ode to Money, Money
Not PC but one hot smoking tune.
Donna just kills it (in a very good way)
The studio session has Bobby and Donna singing
"The Bible says, "Robbing banks is a sin"
The Loose Lucy before and the China>Rider after make this a nice stretch of tunes.
For my MONEY this stretch of shows with the limited run of money, money's is real sweet.
The jam out of TRUCKIN takes this show to another level. It is one of those jams you play for somebody who says"Yeah, The Dead play that song Truckin?
The NFA>GDTRFB harkens back to some primal Pigpen type epicness !!! And Saturday Night is pandemonium.
May 21, 2014 Subject:
This is a great show, even though it's not the greatest of '74. The jams are awesome. One big let-down is Donna's caterwauling, but she basically tied the 70s in a burlap sack and drowned them so what could you possibly expect?
May 19, 2014 Subject:
Never really been a *major* supporter of this show in its entirety - I''ve just never been able to jive with this first set, save all that China Cat goodness....for me, this 2nd set suite, from Truckin' on to the end, is the reason I give this one a go every so often. The WRS leading up to it is lovely, to be sure, but check that **funked*** out rhythm they hit about halfway through Truckin' - seriously dirty, thick ROCK - nothing "spiritual" about this one, folks.
January 23, 2014 Subject:
One of the best of all time!
Half-Step, Jerry means business right away, always a good omen of what’s to come.
Mexicali has some nice Bobby tone and chords in it.
Big RR was great stuff! Energy is on the right track.
BTW was another homerun for Bobby and the “Midnights”.
Scarlet is a bit short, but so nicely played, with Keith on the organ and Bob and Jerry really making the guitars fun. Donna… ugh.
TN Jed, is a bit slow, but funky. Bob and Jerry put together another solid jam before the final chorus.
Bobby McGee is a fine version that maintains an energetic tempo.
Sugaree, what was shaping up to be freaking awesome was unfortunately marred by source issues, Jerry’s vox fall off the map, as well as Keith’s piano for a good portion. Keith comes back, but Jerry’s voice is still gone. At least his guitar never dropped.
Jack Straw still vox deprived, where are you Bob?
IMHBTR, vox issues
El Paso, vox issues
Loose Lucy, vox still low.
Money Money, the 2nd of 3 performances. Fortunately for us, the vox issue was fixed in time! Sure it’s a bit cheesy, but it’s fun and as we know Bob is a fan of cheese. It kind of reminds me of a Brother Esau in the way it’s put together, and Bob talks about Women’s Lib, come on!
China>Rider, Jer’s vox apparently not fixed, but they do come back to the proper level before the first solo. Great work by Jerry, and Bob’s rhythm playing is very psychedelic. At 6 minutes things build to a nice climax before settling down into the feeling good jam, aka actual segue point into Rider, which Bill pushes further than it usually goes and gets everyone excited. Rider features a screaming Jerry headlight verse and a good serving of Philbombs.
A nice trifecta to open up the second set? Yes, please! Fired up and ready to play, Bobby belts out the Holly song with gusto. By the time you get through this, Jerry’s guitar has turned into a razor blade, and Bob’s a fan. Heading into disco land, ahead of their time…
Ship. Funeral home Keith takes to the organ, as Jerry serenades us through his life.
Bob is really on fire here in another sequence, this one a qualifying meat sequence. Keith is as well, hitting the organ for WRS and moving to the guitar during the LIG. Jerry, of course, plays beautifully. These aren’t the noodlefest LIGs we get in the 80s, but quite cohesive and pretty. I don’t want to say less is more, but it’s nice to get different versions, which I believe is what keeps me coming back to the GD even if I take breaks for sometimes years at a time. You never really hear the same song twice, even if it is the exact song from the exact show… you’ll notice something different, follow a different instrument through a different passage, and be surprised. Starting before the 14 minute mark Jerry is trying some unique stuff, a perfect example of what I was just talking about. I find this one gets a little disjointed, but remains enjoyable. Anyhow, so in a way, less is… different, and different is more.
The music finds its way into Wharf Rat. It’s also a somewhat different version, especially in the getting up and flying away part, which sets it on the path to an extremely, and lengthy energetic climax. A+ Wharf Rat!
Big River, another fun version.
The other meat sequence to the familiar notes of Truckin’, buckle up. Jerry is feisty with his licks and chords during the verse, then the build up and release is the closest music can come to having an orgasm. Into the jam we dive, and it doesn’t go directly to the slower blues angle so many of its peers do. Jerry does hint at a Nobody’s Fault But Mine jam, but it doesn’t materialize. This is another thing I love about the band and their improv, sometimes they reject the path suggested and go elsewhere, for better or worse. The jam had start to slow but at about 9 minutes it totally changes shape to a very quick tempo blues. What ensues from here is some of the finest jamming the boys have ever put together. I find myself unable to work or study (don’t ask), and am completely dominated by the music. This maintains until the switch into the next track, the Mind Left Body Jam (clearly based on the song Your Mind Has Left Your Body by the scraps of Jefferson Airplane in 1973, from the album Baron von Tollbooth & the Chrome Nuns). This is one of the crazier ones for sure, not to be missed. Billy the one man wrecking crew puts us nicely back into traditional songs with NFA breaking the beat. Bob gets extra weird in here, to great effect. Jerry has his blues back on, and Billy is really probably the star. I love Keith’s weird organ in the GDTRFB, throughout which Billy remains absolutely unstoppable. One of the better Roads you’re going to find out there, tempo is a bullet train and Jerry is spot on… again.
Bob has to remind us that every night is Saturday for them, even if it’s Sunday… great close out.
Encore: US Blues to close out this late spring show, why the hell not? Bob and Phil make sure they are heard.
Another long one from the Golden Era coming in at about 3 ½ hours. The first set is on fire from the get go, the vocal dropouts being the only flaw, and that’s out of their hands. The 2nd set continues the greatness with 2 meat sequences and a great opening trifecta. Classic show, worthy of all the praise it receives.
May 24, 2013 Subject:
off the charts!!
Amazing 74'show!high energy,incredible playing and nice song selection.the second set is off the charts!!gset is probably best ive heard.they just getting hotter from there.
September 8, 2012 Subject:
discovering the gems
If you want to hear one of the births of the China Rider transition- check out 10-2-72- go to 4 minutes into the "jam" and thank me later.
one of my favorite little segments during this era
November 23, 2011 Subject:
Another gem . . .
Just when i start thinking i've worn out all the quality stuff i stumble onto another gem. God bless archive.org and god bless the dead for supplying the nectar. Crisp recording quality. Donna Jean on her game. Can really hear the emotion in Jerry's vox. A+ gold star.
November 15, 2011 Subject:
needs a trim
very clear sound,on some cuts it seems the Audience is applauding but it's so distant- almost silence ...which gives it an unreal aspect..so it seems like a cut at the end of the music would be an improvement...not a complaint really just an observation...I love the Archive, so much good stuff!
November 13, 2011 Subject:
favoritefavoritefavoritefavoritefavorite ( 6 reviews ) Source: 2 Source Matrix by Dusborne; Soundboard (shnid:116983) Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:115876) Source:Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee;